Since their first recording of Jean-Philippe Rameau’s Pièces de clavecin en Concerts in 2014, which was awarded a Diapason d’Or and described by the magazine Diapason as “a sensitively and brilliantly intelligently crafted masterpiece”, Les Timbres have become one of the most sought-after ensembles for seventeenth and eighteenth-century chamber music.

The musicians of Les Timbres always strive to develop a personal vision of the repertoire composed for their instrumentation in the seventeenth and eighteenth centuries, as well as extensively explore new ways to perfect their chamber music-making skills (timbres, trust, improvisation…).